I fear it may be this blog. This week is crammed, and I'm falling behind on daily tasks. I'm getting to bed after 10 PM (I normally go to bed at 9), and I'm staying awake thinking about things I have to do.
This must be what normal people's lives are like.
I don't care for it.
Cat fights are breaking out regularly as I spend more time out of the house and less time petting and playing with the furry critters.
People think cats don't need them like dogs do. That's not true. Just like children, if you don't give cats attention in good ways, they find bad ways to get it. Also just like children, feeding treats only gets you so far. After a while, you have a fat, unhappy cat and that's something you don't want.
I will have to be more protective of February.
Gotta go. Must - pet - cats!
Behold the turtle. He makes progress only when he sticks his neck out. James B. Conant
Friday, January 29, 2010
Thursday, January 28, 2010
January Short
I spent my morning blog time answering Sandbox emails. I'm spending my evening blog time cutting out paintball masks.
See you all tomorrow.
See you all tomorrow.
Wednesday, January 27, 2010
How To Handle Feedback, part 2
I didn't plan on a "part 2" when I wrote the first post, but Mary DeMuth's post this week about handling critical feedback got me thinking. Again.
Feedback from someone who doesn't read or write your genre should receive special consideration.
On the one hand, anyone can comment on how well you communicated. Did you accurately portray what it would be like to cut your way out of a dead dragon with a belt knife? On the other hand, some people don't want to know what it would be like to cut your way out of a dead dragon with a belt knife. Those people won't appreciate any skill level employed in relaying such information.
So, while the temptation exists to ask anyone and everyone to read and comment on your book, show some restraint. Don't give your horror novel to the reader of Amish romances (the converse is true, as well). If you do, expect some harsh comments and possibly a damaged relationship to repair. It's not a question of right/wrong or good/bad. It's just a question of taste. Don't leave a bad taste in a reader's mouth just because you want the opinion.
For the record, raw dragon - in my world, anyway - is not tasty.
Feedback from someone who doesn't read or write your genre should receive special consideration.
On the one hand, anyone can comment on how well you communicated. Did you accurately portray what it would be like to cut your way out of a dead dragon with a belt knife? On the other hand, some people don't want to know what it would be like to cut your way out of a dead dragon with a belt knife. Those people won't appreciate any skill level employed in relaying such information.
So, while the temptation exists to ask anyone and everyone to read and comment on your book, show some restraint. Don't give your horror novel to the reader of Amish romances (the converse is true, as well). If you do, expect some harsh comments and possibly a damaged relationship to repair. It's not a question of right/wrong or good/bad. It's just a question of taste. Don't leave a bad taste in a reader's mouth just because you want the opinion.
For the record, raw dragon - in my world, anyway - is not tasty.
Tuesday, January 26, 2010
Anxiety
Not mine. Well, not the way you think.
It's been a long time since I've read Christian books, or any books, for that matter, and I'm finding a strange thing happening.
I care more about worldview in a Christian book than I do in a secular book.
This should not surprise me, although it does. Like many people, I hold my beliefs quite dear. I get angry when they are disparaged, and nervous when they are flouted.
I've read several books now that broached subjects that made me nervous. I was surprised to find them in a Christian book, and I couldn't really relax until I knew what the author was going to do with them.
It's okay for a book to cause anxiety. Horror books wouldn't sell if they didn't. But this anxiety is the kind where I have to force myself to keep reading and hope I won't have to pray for the author's salvation when I'm done.
I think Jeff the Publisher brought this up a few times during the contest and in his writing tips. Some subjects will not appeal to the "wide, Christian market (my quotes, not his)." That's why many fiction books get rejected by Christian publishers. It's not that the subjects presented are doctrinally incorrect; it's that the average reader won't tolerate the kind of anxiety I'm describing long enough to read to the real point.
Some audiences have a tolerance, even a taste, for it. The Anomaly crowd, for example, showed no evidence of shying away from themes that struck me as doctrinally shaky.
As always, readers will decide for themselves what they can tolerate. I'm learning to suspend judgment as well as disbelief until I hear the whole argument. That's a good skill to have.
It's been a long time since I've read Christian books, or any books, for that matter, and I'm finding a strange thing happening.
I care more about worldview in a Christian book than I do in a secular book.
This should not surprise me, although it does. Like many people, I hold my beliefs quite dear. I get angry when they are disparaged, and nervous when they are flouted.
I've read several books now that broached subjects that made me nervous. I was surprised to find them in a Christian book, and I couldn't really relax until I knew what the author was going to do with them.
It's okay for a book to cause anxiety. Horror books wouldn't sell if they didn't. But this anxiety is the kind where I have to force myself to keep reading and hope I won't have to pray for the author's salvation when I'm done.
I think Jeff the Publisher brought this up a few times during the contest and in his writing tips. Some subjects will not appeal to the "wide, Christian market (my quotes, not his)." That's why many fiction books get rejected by Christian publishers. It's not that the subjects presented are doctrinally incorrect; it's that the average reader won't tolerate the kind of anxiety I'm describing long enough to read to the real point.
Some audiences have a tolerance, even a taste, for it. The Anomaly crowd, for example, showed no evidence of shying away from themes that struck me as doctrinally shaky.
As always, readers will decide for themselves what they can tolerate. I'm learning to suspend judgment as well as disbelief until I hear the whole argument. That's a good skill to have.
Monday, January 25, 2010
Joseph, continued
I thought I'd said all I wanted to say about him. I was wrong.
I few other reasons I like Joseph:
1) He was honest/ trustworthy. These two go together in my book. He kept getting put in charge of people and things, and his bosses never worried about anything he was in charge of (we're told that three times about three different guys: Potiphar, the warden, and Pharaoh). Dave Ramsey would call that "stupid," but it kept happening. Even Jacob practically put him in charge of his older brothers. That's not only why they sold him into slavery but how they were able to to do it - it was Joseph's honest nature that sent him into harm's way (he couldn't make up something to tell his father) and his trustworthy nature that prevented him from seeing the real danger he was in from his own brothers.
2) He was hard-working. When his dad asked for that report on his brothers, Joseph kept going so he could finish the task. A lazy boy would have stopped looking when his brothers weren't where they were supposed to be. Joseph searched for them. When, as a slave, he enters Potiphar's house, he starts working and works so well Potiphar puts a slave in charge of everything. Same thing happens at the jail. Once more for Pharaoh. Joseph does everything as to the Lord, no matter who he's working for. Genesis tells us God prospers him for it.
3) He was monogamous. Maybe this is an Egyptian cultural thing and Joseph didn't have any control over it, but he's the first guy in four generations to be happy with just the one wife. Even his grandfather Abraham took Sarah's maid as a wife and sired Ishmael. Since God planned humans to be monogamous (only Adam and Eve, remember?), it's nice to see one of our heroes living up to that standard.
4) He was tender-hearted. I cry when Joseph cries, so I cry a lot reading his story. He cries when he meets his brothers, when he meets Benjamin, when he reveals himself to his brothers, when his father shows up after all those years. As Nick Parker would say, "A real man isn't afraid to cry." Joseph was a real man.
5) He had complete faith in God. Joseph is also the first guy in four generations to trust that God will take care of him even if he tells the truth. Abraham lied about Sarah being his sister, Isaac lied about Rebekah being his sister, Jacob lied about everything, pretty much, and yet those are the guys held up as models of faith. I think Joseph should get that prize. But what do I know? I'm just a turtle.
I'm probably done for now. We've entered Exodus in our daily readings, and Moses is a whole other pan of flatbread.
I few other reasons I like Joseph:
1) He was honest/ trustworthy. These two go together in my book. He kept getting put in charge of people and things, and his bosses never worried about anything he was in charge of (we're told that three times about three different guys: Potiphar, the warden, and Pharaoh). Dave Ramsey would call that "stupid," but it kept happening. Even Jacob practically put him in charge of his older brothers. That's not only why they sold him into slavery but how they were able to to do it - it was Joseph's honest nature that sent him into harm's way (he couldn't make up something to tell his father) and his trustworthy nature that prevented him from seeing the real danger he was in from his own brothers.
2) He was hard-working. When his dad asked for that report on his brothers, Joseph kept going so he could finish the task. A lazy boy would have stopped looking when his brothers weren't where they were supposed to be. Joseph searched for them. When, as a slave, he enters Potiphar's house, he starts working and works so well Potiphar puts a slave in charge of everything. Same thing happens at the jail. Once more for Pharaoh. Joseph does everything as to the Lord, no matter who he's working for. Genesis tells us God prospers him for it.
3) He was monogamous. Maybe this is an Egyptian cultural thing and Joseph didn't have any control over it, but he's the first guy in four generations to be happy with just the one wife. Even his grandfather Abraham took Sarah's maid as a wife and sired Ishmael. Since God planned humans to be monogamous (only Adam and Eve, remember?), it's nice to see one of our heroes living up to that standard.
4) He was tender-hearted. I cry when Joseph cries, so I cry a lot reading his story. He cries when he meets his brothers, when he meets Benjamin, when he reveals himself to his brothers, when his father shows up after all those years. As Nick Parker would say, "A real man isn't afraid to cry." Joseph was a real man.
5) He had complete faith in God. Joseph is also the first guy in four generations to trust that God will take care of him even if he tells the truth. Abraham lied about Sarah being his sister, Isaac lied about Rebekah being his sister, Jacob lied about everything, pretty much, and yet those are the guys held up as models of faith. I think Joseph should get that prize. But what do I know? I'm just a turtle.
I'm probably done for now. We've entered Exodus in our daily readings, and Moses is a whole other pan of flatbread.
Sunday, January 24, 2010
Joseph
Joseph may be my favorite historical person from the Old Testament. His story affects me more deeply the older I get.
Joseph is the almost youngest son (his full-brother Benjamin is the last born) of Jacob/Israel. He is the firstborn son of Jacob's favorite wife, Rachel, and it is obvious from the beginning - to everyone - that Joseph is his father's favorite son, too.
Israel's obvious favoritism leads to jealousy among Joseph's ten older brothers and ultimately to Joseph being sold into slavery by them.
I've heard his life interpreted two ways.
First, Joseph is an arrogant brat who needed years of slavery and imprisonment to squash the "holier-than-thou" out of him. This is supported by the "coat of many colors" given to him by his father, his regular tattling on his older brothers, and the prophetic dreams he relates to his entire family that sort of become the spark that sets fire to his current life. Without his tempering, Joseph would never have been able to forgive his brothers and save his family.
Second, Joseph is an exceptional guy, doing his best for God in extremely difficult circumstances beyond his control. This is supported by the fact that he cannot control how his father treats him, every time he moves into a new situation God prospers him, and he is continually escaping the worst possible consequences (slavery instead of murder, imprisonment instead of death, vizier over Egypt instead of, well, anything else) and instead moving up in the world with each life change. He is obviously trusted completely by his masters and they prosper as a result. This is not typical of brats, who tend to irritate strangers and bring all manner of grief on themselves as a result (I know whereof I speak).
David Jeremiah is the only one I've heard give the second option, but David Jeremiah is a compassionate guy. He's the only person I've ever heard cut King Saul some slack, too.
Most preachers assume Joseph starts as a jerk and changes to a hero.
Maybe.
I'm a brat, and God continues to temper me. Thankfully my brothers never tried to kill me, but I've been assured that was because of the threat of our father, not any particular merciful sentiment on their parts.
I was pretty awful.
But Joseph, whether he begins as a brat or not, shows one of the most forgiving spirits in the history of the world. His love for his brothers is genuine. When he recognizes his brothers but they don't recognize him, it hurts him. He feels their guilt over what they did to him and that hurts him, too. He understands how God used them, and doesn't hold it against them. That's forgiveness.
If you get the chance to hear David Jeremiah's sermon series on Joseph, take it. It will change your perspective of this famous man who saved the world during seven years of famine. Hopefully it will strengthen your perspective of his God, who showed the ultimate forgiveness on the cross and saved the world from ultimate death, if it will only accept the gift.
Joseph is the almost youngest son (his full-brother Benjamin is the last born) of Jacob/Israel. He is the firstborn son of Jacob's favorite wife, Rachel, and it is obvious from the beginning - to everyone - that Joseph is his father's favorite son, too.
Israel's obvious favoritism leads to jealousy among Joseph's ten older brothers and ultimately to Joseph being sold into slavery by them.
I've heard his life interpreted two ways.
First, Joseph is an arrogant brat who needed years of slavery and imprisonment to squash the "holier-than-thou" out of him. This is supported by the "coat of many colors" given to him by his father, his regular tattling on his older brothers, and the prophetic dreams he relates to his entire family that sort of become the spark that sets fire to his current life. Without his tempering, Joseph would never have been able to forgive his brothers and save his family.
Second, Joseph is an exceptional guy, doing his best for God in extremely difficult circumstances beyond his control. This is supported by the fact that he cannot control how his father treats him, every time he moves into a new situation God prospers him, and he is continually escaping the worst possible consequences (slavery instead of murder, imprisonment instead of death, vizier over Egypt instead of, well, anything else) and instead moving up in the world with each life change. He is obviously trusted completely by his masters and they prosper as a result. This is not typical of brats, who tend to irritate strangers and bring all manner of grief on themselves as a result (I know whereof I speak).
David Jeremiah is the only one I've heard give the second option, but David Jeremiah is a compassionate guy. He's the only person I've ever heard cut King Saul some slack, too.
Most preachers assume Joseph starts as a jerk and changes to a hero.
Maybe.
I'm a brat, and God continues to temper me. Thankfully my brothers never tried to kill me, but I've been assured that was because of the threat of our father, not any particular merciful sentiment on their parts.
I was pretty awful.
But Joseph, whether he begins as a brat or not, shows one of the most forgiving spirits in the history of the world. His love for his brothers is genuine. When he recognizes his brothers but they don't recognize him, it hurts him. He feels their guilt over what they did to him and that hurts him, too. He understands how God used them, and doesn't hold it against them. That's forgiveness.
If you get the chance to hear David Jeremiah's sermon series on Joseph, take it. It will change your perspective of this famous man who saved the world during seven years of famine. Hopefully it will strengthen your perspective of his God, who showed the ultimate forgiveness on the cross and saved the world from ultimate death, if it will only accept the gift.
Saturday, January 23, 2010
Debate
I had the honor of judging in the Midwest Regional Homeschoolers' Forensics Qualifiers for the last two days (that's not the real name, but it is accurate). This is my third year of volunteer judging with homeschoolers, and I encourage anyone given the opportunity to take it.
Do not be afraid of these young people. We want them in power, and we should help them get there.
The Lincoln-Douglas question for this year seems to be "Competition is more useful than cooperation in creating excellence."
Not an easy subject. Last year's topic dealt with subjectivity vs. objectivity as the basis for reality. Boy, that was a show-stopping final debate! I was glad I was one of seven judges. I would never have wanted all that responsibility on my shoulders.
It is an interesting question, though. Competition vs. Cooperation: which is better?
I take the middle line that you need both, but you can't take a middle line in debate. You're either for or against.
The affirmative side argued that competition leads to vitality or striving and that improves quality and provides accountability (There was a third point, but statistically, in any list of three, the third is forgotten).
The negative side argued that competition without morality creates a "survival of the fittest" scenario that ultimately destroys society as a whole. He argued that Biblical morality and its inherent cooperative aspect must be the foundation of all competitive efforts or tyranny will be the end result.
Not a bad argument, really.
As a writer, I realize I also walk a line between competition and cooperation. Competing with other writers (such as in the MLS contest) forces me to improve the quality of my work. It holds me accountable for my skill. If I'm not good enough, readers will not buy my books because I have competitors.
However, cooperation is also useful. If I didn't trust my critique partners at The Sandbox, I would never be able to hone my stories before they were published.
Since I'm not in a Lincoln-Douglas debate, I'm sticking with my resolution that both are necessary, and I will adopt the negative side's argument that Biblical morality is the best foundation for all efforts. Competition without morality does lead to tyranny, but cooperation with no chance of failure leads to apathy.
Congrats to all the participants this year. And a special "thank you" to the cook, who kept me full of biscuits and gravy.
See you in May.
Do not be afraid of these young people. We want them in power, and we should help them get there.
The Lincoln-Douglas question for this year seems to be "Competition is more useful than cooperation in creating excellence."
Not an easy subject. Last year's topic dealt with subjectivity vs. objectivity as the basis for reality. Boy, that was a show-stopping final debate! I was glad I was one of seven judges. I would never have wanted all that responsibility on my shoulders.
It is an interesting question, though. Competition vs. Cooperation: which is better?
I take the middle line that you need both, but you can't take a middle line in debate. You're either for or against.
The affirmative side argued that competition leads to vitality or striving and that improves quality and provides accountability (There was a third point, but statistically, in any list of three, the third is forgotten).
The negative side argued that competition without morality creates a "survival of the fittest" scenario that ultimately destroys society as a whole. He argued that Biblical morality and its inherent cooperative aspect must be the foundation of all competitive efforts or tyranny will be the end result.
Not a bad argument, really.
As a writer, I realize I also walk a line between competition and cooperation. Competing with other writers (such as in the MLS contest) forces me to improve the quality of my work. It holds me accountable for my skill. If I'm not good enough, readers will not buy my books because I have competitors.
However, cooperation is also useful. If I didn't trust my critique partners at The Sandbox, I would never be able to hone my stories before they were published.
Since I'm not in a Lincoln-Douglas debate, I'm sticking with my resolution that both are necessary, and I will adopt the negative side's argument that Biblical morality is the best foundation for all efforts. Competition without morality does lead to tyranny, but cooperation with no chance of failure leads to apathy.
Congrats to all the participants this year. And a special "thank you" to the cook, who kept me full of biscuits and gravy.
See you in May.
Friday, January 22, 2010
Fringe Disappoints
It had to happen. Every show has a poorly conceived episode (Buffy's near rape scene with Spike, anyone? Like I believed for one second that was possible - sheesh) I should be happy it took a season and a half for my new darling.
The episode started out well enough. A new virus shows up that infects a building full of people, including Peter and Olivia, requiring them all to be quarantined while Walter comes up with a cure. Typical Fringe.
Even better, it has some inherent tension. We know someone we care about will be infected (thanks to the commercials, we knew it was Peter). We know Walter will have issues with his son's life on the line. We know the dynamics of the Peter-Olivia relationship will change. We even expect (and are given) a deepening of the relationship between Walter and Astrid. So far, so good.
About halfway through is when it all starts to fall apart. Walter thinks the virus wants to get out of the building and is biding its time not killing the victims until that happens. I have no problem with this.
Peter is infected and lies about it. I'm fine with that, too. If the virus wants to get out of the building, I would expect this kind of behavior from a victim.
Here's the problem. Here's where logic and common sense are sacrificed to create false tension in the story.
If the CDC trusts Walter enough to believe his test results for contamination, they should trust him enough about his theories on how the virus works. Those infected should have been quarantined immediately in a locked room with restraints and possible sedation to keep them and everyone else safe. This is the simple, logical solution, which though it might break some first amendment rights doesn't lead to snipers and murder.
Instead, the victims are left to roam the building without restraint and become a greater threat. That's stupid.
One of the victims throws herself out a third or fourth story window in an effort to infect people. OK. That's what leads Walter to form his theory about how the virus behaves.
Problem: why do the remaining victims congregate around the main floor safety glass windows trying to get out instead of just jumping out the windows higher up? Or the already open window, for that matter? Do they not think of it? Peter has an IQ of 190.
I'm not buying it.
When a victim is around uninfected people, his dying breath is some kind of red gas, presumably an airborne version of the virus. Yet, the virus isn't spread by air and this is said numerous times by Walter. It requires contact with bodily fluids. So why would victims kill themselves just to not deliver the virus? If the thing needs contact, shouldn't the victims latch on to someone and bleed on them before they die?
Dumb.
And last but not least - the fight between Peter and Olivia. You know for the writer of this episode, this is the climax of the whole thing.
Problem: why would Olivia draw a gun on a man she has no intention of killing and whose blood she cannot touch without infecting herself? Are we supposed to believe that she really would kill him to protect herself? I don't believe it. When she knows Walter has a cure and all she's doing is buying time, then that's all she has to do - buy time. She's not going to shoot Peter.
And I really don't believe Peter could best her in a hand-to-hand fight, even if he is virus-crazed and she's trying not to hurt him. In fact, since she's uninfected, he should have exploded all over her instead of knocking her unconscious and taking her gun.
It is not too much to ask that logical consistency guide character motivations, even characters we don't know, like the CDC guy. This writer started well, but JJ Abrams should have taken a stronger hand with the end of the episode and kept common sense at the forefront.
For example, everyone else could have been contained, and Peter, with his 190 IQ, could have escaped and become the real threat of infection. If Olivia deliberately infected herself so she could hunt him down and bring him in, tension would have been maintained and heightened, because then we would have worried about how long she had until she become a slave to the viral mind.
See? Consistent, logical and satisfying. That's how a story should be, from beginning to end.
The episode started out well enough. A new virus shows up that infects a building full of people, including Peter and Olivia, requiring them all to be quarantined while Walter comes up with a cure. Typical Fringe.
Even better, it has some inherent tension. We know someone we care about will be infected (thanks to the commercials, we knew it was Peter). We know Walter will have issues with his son's life on the line. We know the dynamics of the Peter-Olivia relationship will change. We even expect (and are given) a deepening of the relationship between Walter and Astrid. So far, so good.
About halfway through is when it all starts to fall apart. Walter thinks the virus wants to get out of the building and is biding its time not killing the victims until that happens. I have no problem with this.
Peter is infected and lies about it. I'm fine with that, too. If the virus wants to get out of the building, I would expect this kind of behavior from a victim.
Here's the problem. Here's where logic and common sense are sacrificed to create false tension in the story.
If the CDC trusts Walter enough to believe his test results for contamination, they should trust him enough about his theories on how the virus works. Those infected should have been quarantined immediately in a locked room with restraints and possible sedation to keep them and everyone else safe. This is the simple, logical solution, which though it might break some first amendment rights doesn't lead to snipers and murder.
Instead, the victims are left to roam the building without restraint and become a greater threat. That's stupid.
One of the victims throws herself out a third or fourth story window in an effort to infect people. OK. That's what leads Walter to form his theory about how the virus behaves.
Problem: why do the remaining victims congregate around the main floor safety glass windows trying to get out instead of just jumping out the windows higher up? Or the already open window, for that matter? Do they not think of it? Peter has an IQ of 190.
I'm not buying it.
When a victim is around uninfected people, his dying breath is some kind of red gas, presumably an airborne version of the virus. Yet, the virus isn't spread by air and this is said numerous times by Walter. It requires contact with bodily fluids. So why would victims kill themselves just to not deliver the virus? If the thing needs contact, shouldn't the victims latch on to someone and bleed on them before they die?
Dumb.
And last but not least - the fight between Peter and Olivia. You know for the writer of this episode, this is the climax of the whole thing.
Problem: why would Olivia draw a gun on a man she has no intention of killing and whose blood she cannot touch without infecting herself? Are we supposed to believe that she really would kill him to protect herself? I don't believe it. When she knows Walter has a cure and all she's doing is buying time, then that's all she has to do - buy time. She's not going to shoot Peter.
And I really don't believe Peter could best her in a hand-to-hand fight, even if he is virus-crazed and she's trying not to hurt him. In fact, since she's uninfected, he should have exploded all over her instead of knocking her unconscious and taking her gun.
It is not too much to ask that logical consistency guide character motivations, even characters we don't know, like the CDC guy. This writer started well, but JJ Abrams should have taken a stronger hand with the end of the episode and kept common sense at the forefront.
For example, everyone else could have been contained, and Peter, with his 190 IQ, could have escaped and become the real threat of infection. If Olivia deliberately infected herself so she could hunt him down and bring him in, tension would have been maintained and heightened, because then we would have worried about how long she had until she become a slave to the viral mind.
See? Consistent, logical and satisfying. That's how a story should be, from beginning to end.
Thursday, January 21, 2010
Locked Out
It finally happened. I locked myself out of my house.
The good news - I was still wearing my coat, and the dog was outside with me instead of wreaking unsupervised havoc inside.
The bad news - it was 10 PM, my cell phone was inside the house with my purse, and apparently the nearest key is 20 minutes away.
A neighbor let me use his phone to call my brother, who does not have a key like I thought he did. He called my mom because I couldn't remember the unlisted cell number of My Dear Friend who lives in town and has a key. I went back to my house, sat on the back porch in the cold with my dog (who doesn't mind the cold and didn't want to snuggle) and waited for rescue.
Simon watched me from the kitchen window the whole time, no doubt wondering what my silly human brain was thinking, staying outside when his cat belly was empty. I could hear Caleb crying and pawing at the door. He's big enough to reach the lock, which left me pondering whether I could train him to unlock the door and whether that would be a good or bad thing.
A real person would turn this into some kind of spiritual lesson. God was teaching me to rely on Him. Or, with God, the door is always open. Or, I should be grateful I have a house to be locked out of (I did pray for the people of Haiti while I was waiting).
Sorry. I'm not that kind of gal. I did review some Scripture verses I'm memorizing thanks to the Bible study I'm in: 2 Chronicles 7:14, James 4:8, Isaiah 29:11-13.
You may notice a theme. They're all about seeking God through prayer and confession of sin. It's that kind of study.
You know what I spent most of my time considering? That telekinesis is the most useful superpower.
When I sat down on the porch, I thought, Man, if I were telepathic I could contact My Dear Friend without a phone. Then I thought, Snot, if I'm wishing for powers, telekinesis would let me unlock the door. And change the TV channel without a remote. And pull leaves out of my gutters without having to climb a ladder.
Yes, that's where my brain goes in a crisis. That's why I write fantasy fiction and not devotionals. It isn't that I don't love God and can't appreciate how He takes care of me.
My brain just goes to weird places.
So today, I'll be making two spare keys, one for my brother and one for my garage. I suppose after nine years, it's time to have a safety net. I will also devote a portion of my time to trying to change the lock with the power of my mind.
Hey, a girl can dream, right?
The good news - I was still wearing my coat, and the dog was outside with me instead of wreaking unsupervised havoc inside.
The bad news - it was 10 PM, my cell phone was inside the house with my purse, and apparently the nearest key is 20 minutes away.
A neighbor let me use his phone to call my brother, who does not have a key like I thought he did. He called my mom because I couldn't remember the unlisted cell number of My Dear Friend who lives in town and has a key. I went back to my house, sat on the back porch in the cold with my dog (who doesn't mind the cold and didn't want to snuggle) and waited for rescue.
Simon watched me from the kitchen window the whole time, no doubt wondering what my silly human brain was thinking, staying outside when his cat belly was empty. I could hear Caleb crying and pawing at the door. He's big enough to reach the lock, which left me pondering whether I could train him to unlock the door and whether that would be a good or bad thing.
A real person would turn this into some kind of spiritual lesson. God was teaching me to rely on Him. Or, with God, the door is always open. Or, I should be grateful I have a house to be locked out of (I did pray for the people of Haiti while I was waiting).
Sorry. I'm not that kind of gal. I did review some Scripture verses I'm memorizing thanks to the Bible study I'm in: 2 Chronicles 7:14, James 4:8, Isaiah 29:11-13.
You may notice a theme. They're all about seeking God through prayer and confession of sin. It's that kind of study.
You know what I spent most of my time considering? That telekinesis is the most useful superpower.
When I sat down on the porch, I thought, Man, if I were telepathic I could contact My Dear Friend without a phone. Then I thought, Snot, if I'm wishing for powers, telekinesis would let me unlock the door. And change the TV channel without a remote. And pull leaves out of my gutters without having to climb a ladder.
Yes, that's where my brain goes in a crisis. That's why I write fantasy fiction and not devotionals. It isn't that I don't love God and can't appreciate how He takes care of me.
My brain just goes to weird places.
So today, I'll be making two spare keys, one for my brother and one for my garage. I suppose after nine years, it's time to have a safety net. I will also devote a portion of my time to trying to change the lock with the power of my mind.
Hey, a girl can dream, right?
Wednesday, January 20, 2010
The Scattering
I miss the contest.
I'll admit it. For all the freaking out about my entry, I miss the excitement. I miss a myriad of authors focusing their energies on discussing the craft. I miss hearing the good and bad points of using the word "said" in your story. Well, I don't miss that, but you get my point.
If the contest was The Gathering and "There Can Be Only One," now that The One is chosen, the rest of us (who were not decapitated in this scenario) are slinking back to the real world.
Some have vanished from the boards. Some are moving forward in their own marketing attempts. Wordcrafter has set up a New Authors Blog at wordpress which looks interesting. Some have connected on Facebook. Some are playing in The Sandbox.
I wait for the email from Jeff the Publisher either thanking-but-no-thanking-me or requesting a full manuscript. My shaky math skills tell me to wait until mid-February before I ask if he's forgotten me. I'm sure he's busier than I am.
I suppose I should be grateful my schedule is so full. It leaves less time for wallowing in despair that all my new friends have rediscovered their old lives.
Still, I find myself somewhat lonely in my field of buttercups.
The last time I was engulfed with despair, I wrote the Star of Justice chapters where Caissa turns suicidal. I figured why waste a good funk? Writing is about emotion, after all. Reading about other people's emotions is almost as good as feeling your own.
This time I'm starting with a suicidal character, so I have plenty of emotional material to work with. So, thank you for that, Lord. (I'm not suicidal, by the way, just a little sad. Probably has as much to do with Day Seven of The Fog as anything else)
And, Jeff is discussing possible rules for the MLS 2.0, if it should happen. If you have thoughts on the subject, mosey over to The Anomaly and put in your words of wisdom. Be warned: dizzyjam wrote a small book on the subject in his most recent post. I couldn't get through the whole thing, but maybe you have more time ;)
I'll admit it. For all the freaking out about my entry, I miss the excitement. I miss a myriad of authors focusing their energies on discussing the craft. I miss hearing the good and bad points of using the word "said" in your story. Well, I don't miss that, but you get my point.
If the contest was The Gathering and "There Can Be Only One," now that The One is chosen, the rest of us (who were not decapitated in this scenario) are slinking back to the real world.
Some have vanished from the boards. Some are moving forward in their own marketing attempts. Wordcrafter has set up a New Authors Blog at wordpress which looks interesting. Some have connected on Facebook. Some are playing in The Sandbox.
I wait for the email from Jeff the Publisher either thanking-but-no-thanking-me or requesting a full manuscript. My shaky math skills tell me to wait until mid-February before I ask if he's forgotten me. I'm sure he's busier than I am.
I suppose I should be grateful my schedule is so full. It leaves less time for wallowing in despair that all my new friends have rediscovered their old lives.
Still, I find myself somewhat lonely in my field of buttercups.
The last time I was engulfed with despair, I wrote the Star of Justice chapters where Caissa turns suicidal. I figured why waste a good funk? Writing is about emotion, after all. Reading about other people's emotions is almost as good as feeling your own.
This time I'm starting with a suicidal character, so I have plenty of emotional material to work with. So, thank you for that, Lord. (I'm not suicidal, by the way, just a little sad. Probably has as much to do with Day Seven of The Fog as anything else)
And, Jeff is discussing possible rules for the MLS 2.0, if it should happen. If you have thoughts on the subject, mosey over to The Anomaly and put in your words of wisdom. Be warned: dizzyjam wrote a small book on the subject in his most recent post. I couldn't get through the whole thing, but maybe you have more time ;)
Tuesday, January 19, 2010
Running In Place
Time is slipping away, slip, slip, slipping away.
Our Sunday School is reading the whole Bible in a year, which involves daily Bible reading. I am almost caught up from when I was sick. I will achieve this goal, no matter that our class is still on Genesis 1:1 nineteen days into the year.
I am part of a Bible study for the next two months that is preparing me to facilitate the study when it goes church-wide in March, which will last another two months. This involves daily homework, which, if last night was any gauge, will involve one to two hours at a stretch.
I am a leadership member of two political groups ramping up efforts to safeguard elections here in Kansas this November. These groups have meetings and emails and rallys and all kinds of time-consuming stuff involved with them.
I have joined a critique group called The Sandbox with members who are submitting excerpts for critique faster than I can sign on to my email. I am also critiquing a book on the side for a new friend from MLS. I take critiquing very seriously, but as a turtle, it takes me a while to consider stuff.
I also want to write my own book. I know that takes time.
The good part is I have only a furry family to juggle with all this. They are remarkably forgiving when a can of cat food or doggie treat is offered. We will increase our "laser tag" time to make up it, I'm sure.
Some of you are thinking, "So? You should see my schedule."
I can only say, I am not accustomed to this kind of demand. I have spent most of my life ordering my world to avoid it. Type B, remember? I am struggling to find the balance. There must be a balance, because I cannot maintain this pace. Turtles (other than Gamora) don't have a "turbo" setting.
Add to this The Fog that has covered my state for six days and blocked me from my much needed sunshine fix, and I'm about ready to turn the computer off and vanish from the electronic world for a while.
Thanks to all the Bible study, I expect Satan to attack any time now. That's okay. God has my back, and He's enough.
So, I'll be praying for you all (that's part of my homework). Please pray for me when you have a spare minute.
Our Sunday School is reading the whole Bible in a year, which involves daily Bible reading. I am almost caught up from when I was sick. I will achieve this goal, no matter that our class is still on Genesis 1:1 nineteen days into the year.
I am part of a Bible study for the next two months that is preparing me to facilitate the study when it goes church-wide in March, which will last another two months. This involves daily homework, which, if last night was any gauge, will involve one to two hours at a stretch.
I am a leadership member of two political groups ramping up efforts to safeguard elections here in Kansas this November. These groups have meetings and emails and rallys and all kinds of time-consuming stuff involved with them.
I have joined a critique group called The Sandbox with members who are submitting excerpts for critique faster than I can sign on to my email. I am also critiquing a book on the side for a new friend from MLS. I take critiquing very seriously, but as a turtle, it takes me a while to consider stuff.
I also want to write my own book. I know that takes time.
The good part is I have only a furry family to juggle with all this. They are remarkably forgiving when a can of cat food or doggie treat is offered. We will increase our "laser tag" time to make up it, I'm sure.
Some of you are thinking, "So? You should see my schedule."
I can only say, I am not accustomed to this kind of demand. I have spent most of my life ordering my world to avoid it. Type B, remember? I am struggling to find the balance. There must be a balance, because I cannot maintain this pace. Turtles (other than Gamora) don't have a "turbo" setting.
Add to this The Fog that has covered my state for six days and blocked me from my much needed sunshine fix, and I'm about ready to turn the computer off and vanish from the electronic world for a while.
Thanks to all the Bible study, I expect Satan to attack any time now. That's okay. God has my back, and He's enough.
So, I'll be praying for you all (that's part of my homework). Please pray for me when you have a spare minute.
Monday, January 18, 2010
A Grandmother's Praise
Grandma T is 96. She remembers being pulled to school on a sled drawn by horses when the snow was too deep to walk through. She is the youngest of 8 children of a Scottish immigrant, and the wife of a dairy farmer for 71 years. Turns out she was also a brat, something I didn't know until this last year.
Grandma T lives in a nursing home now. She has crippling arthritis that confines her to a chair or a bed. She is in constant pain, but I have rarely heard her mention it. I hope, should I live to be 111, I do it with the grace I have seen in her. She remains sharp as a tack, and I would trust her recollection of events more than my own in most cases.
Grandma T reads voraciously, mostly romances borrowed from the library. I very much wanted her to read Star of Justice, but I couldn't think of a way to make it happen. Her arthritis means she cannot support much weight, certainly not the 4" 3-ring binder that holds my manuscripts.
My solution? Stapling each chapter together, turning up the corners to make it easy to turn the pages, and two boxes - one for unread pages and one for finished pages. I was quite pleased with myself.
I delivered the book during one of my weekly visits and left it with her. Then I waited.
Naturally, plans never work quite as expected. Grandma read the book piecemeal, waiting for my uncle to give her new chapters during his visits instead of asking the interns. Oh, well. When she assured me she had read the book, I asked her what she thought.
"I thought you said it was a religious book?"
"It is, Grandma."
"Well, it's not like any religious book I ever read."
I do not doubt her. Figuring she would never be able to recall names, I asked if she had a favorite part.
"Well, I liked it when the man went back to help that girl. People just don't go out of their way to do that anymore, and they should."
She could have been referring to any number of places in the book (this "helping" happens a lot), but I was now assured she had read it.
Yesterday, during my visit, the subject of books came up again.
"Have you ever heard of a borgor?" she asked me.
"I don't think so," I said.
"I was reading about one. It sounds like it's some kind of skunk, but I've never heard of such a thing. I asked your uncle to look it up for me."
"Well, there are all kinds of Australian animals I don't know. Maybe it's one of those."
"Yeah, I was reading this book, and this man got sprayed and all the other men wanted him to walk at the back because he smelled."
HOLY COW! THAT'S A SCENE FROM MY BOOK! (She mispronounced the animal's name, but since I'd made it up recently, I wouldn't have remembered it anyway. That's why I keep creature files on all my stories. I can't remember what I call the things.)
"Grandma, that was from my book!"
"No, it was one of these." She tapped her stack of paperbacks.
"Grandma, it was my book. The guy gets sprayed by this creature and everybody wants him to stay downwind because he stinks."
"Well, maybe it was. I should tell Bob not to bother looking it up, then."
So, even though it's not her kind of book, and it's not religious like she expected, apparently, it's memorable. Or somewhat memorable.
High praise indeed from Grandma T.
Grandma T lives in a nursing home now. She has crippling arthritis that confines her to a chair or a bed. She is in constant pain, but I have rarely heard her mention it. I hope, should I live to be 111, I do it with the grace I have seen in her. She remains sharp as a tack, and I would trust her recollection of events more than my own in most cases.
Grandma T reads voraciously, mostly romances borrowed from the library. I very much wanted her to read Star of Justice, but I couldn't think of a way to make it happen. Her arthritis means she cannot support much weight, certainly not the 4" 3-ring binder that holds my manuscripts.
My solution? Stapling each chapter together, turning up the corners to make it easy to turn the pages, and two boxes - one for unread pages and one for finished pages. I was quite pleased with myself.
I delivered the book during one of my weekly visits and left it with her. Then I waited.
Naturally, plans never work quite as expected. Grandma read the book piecemeal, waiting for my uncle to give her new chapters during his visits instead of asking the interns. Oh, well. When she assured me she had read the book, I asked her what she thought.
"I thought you said it was a religious book?"
"It is, Grandma."
"Well, it's not like any religious book I ever read."
I do not doubt her. Figuring she would never be able to recall names, I asked if she had a favorite part.
"Well, I liked it when the man went back to help that girl. People just don't go out of their way to do that anymore, and they should."
She could have been referring to any number of places in the book (this "helping" happens a lot), but I was now assured she had read it.
Yesterday, during my visit, the subject of books came up again.
"Have you ever heard of a borgor?" she asked me.
"I don't think so," I said.
"I was reading about one. It sounds like it's some kind of skunk, but I've never heard of such a thing. I asked your uncle to look it up for me."
"Well, there are all kinds of Australian animals I don't know. Maybe it's one of those."
"Yeah, I was reading this book, and this man got sprayed and all the other men wanted him to walk at the back because he smelled."
HOLY COW! THAT'S A SCENE FROM MY BOOK! (She mispronounced the animal's name, but since I'd made it up recently, I wouldn't have remembered it anyway. That's why I keep creature files on all my stories. I can't remember what I call the things.)
"Grandma, that was from my book!"
"No, it was one of these." She tapped her stack of paperbacks.
"Grandma, it was my book. The guy gets sprayed by this creature and everybody wants him to stay downwind because he stinks."
"Well, maybe it was. I should tell Bob not to bother looking it up, then."
So, even though it's not her kind of book, and it's not religious like she expected, apparently, it's memorable. Or somewhat memorable.
High praise indeed from Grandma T.
Sunday, January 17, 2010
Jacob's Birthright
We're reading Genesis mid-20's to early 30's this week (I'm trying to catch up, thanks to the cold).
I wonder, did God want to use Esau to fulfill His promise to Abraham? Esau was the firstborn son. By tradition, he should have inherited everything. If he had kept his head and controlled his appetites when presented with that bowl of lentil stew, would Jesus have come from the line of Abraham, Isaac and Esau?
I wonder.
What about Jacob, the deceiver? He offered that bargain to his brother, the little sneak. He tricked his dad into giving him the blessing that should have gone to Esau. Yes, I mean tricked. He wrapped himself in goatskins so he would feel hairy like Esau if his father touched him. That's malice aforethought in my book, and I understand completely why Esau was hacked about it.
I don't believe God wanted Jacob to do what he did. God is truth. He doesn't lie or deceive or trick people. It is contrary to His nature. God didn't condone Jacob's actions; He allowed them. Part of that free will thing.
The amazing part to me is how God was able to use Jacob at all. The guy's a mess from the get-go. He's a pathological liar. How great is the God who can redeem such a man and use him to bring Jesus into the world?
The Bible shows in every chapter how holy God is and how corrupt man is. It's not an easy book to read, but I'm glad we have it.
I wonder, did God want to use Esau to fulfill His promise to Abraham? Esau was the firstborn son. By tradition, he should have inherited everything. If he had kept his head and controlled his appetites when presented with that bowl of lentil stew, would Jesus have come from the line of Abraham, Isaac and Esau?
I wonder.
What about Jacob, the deceiver? He offered that bargain to his brother, the little sneak. He tricked his dad into giving him the blessing that should have gone to Esau. Yes, I mean tricked. He wrapped himself in goatskins so he would feel hairy like Esau if his father touched him. That's malice aforethought in my book, and I understand completely why Esau was hacked about it.
I don't believe God wanted Jacob to do what he did. God is truth. He doesn't lie or deceive or trick people. It is contrary to His nature. God didn't condone Jacob's actions; He allowed them. Part of that free will thing.
The amazing part to me is how God was able to use Jacob at all. The guy's a mess from the get-go. He's a pathological liar. How great is the God who can redeem such a man and use him to bring Jesus into the world?
The Bible shows in every chapter how holy God is and how corrupt man is. It's not an easy book to read, but I'm glad we have it.
Saturday, January 16, 2010
I Love Fringe
My Facebook friends know I've had a cold the last few days. That means my posts have been typed in the 20 minute respite when the medicine actually works and I can stare at the screen through one squinted eye with Kleenex stuffed up both nostrils.
My colds happen in my eyes. Any light sends me into sneezing fits, so I draw the curtains, keep a cold compress on my eyes and wish for death.
This cold I've been able to listen to the first season of Fringe. You know a show is well-written when you can listen to it instead of watch it.
I should say up front, I don't agree with the Fringe worldview. It's humanistic and cynical and, well, often gross (the pilot episode had melting people in it -eew!). But, I must admit, this is my kind of gross.
I knew I loved this show the moment I met Walter Bishop, the happy mad scientist. He's so excited about dead bodies, and fruit cocktail, and illegal drug use. He eats Twizzlers while performing autopsies. He blows up papayas with micro waves. He talks to dead people, as long as they haven't been dead more than 6 hours. And I love him for it.
I wish I had created Walter. I've invented some wonderful people, but I wish I had created Walter. I suspect I love him so much because he loves food so much. It's the one thing we have in common.
I love Peter and Olivia, too, don't get me wrong. Even darling, dainty Astrid with her unkempt fro has found a place in my heart. She's so quiet and capable. Walter's lab would be hip-deep in exploded fruit if not for her.
Once again, J.J. Abrams has done something wonderful for geeks everywhere. For those of us who've missed The X Files (you know, when it was good, before it turned all alien conspiracy and Scully-loves-Mulder), Fringe is a new take on the old world of weird. And I love it.
Twizzler, anyone?
My colds happen in my eyes. Any light sends me into sneezing fits, so I draw the curtains, keep a cold compress on my eyes and wish for death.
This cold I've been able to listen to the first season of Fringe. You know a show is well-written when you can listen to it instead of watch it.
I should say up front, I don't agree with the Fringe worldview. It's humanistic and cynical and, well, often gross (the pilot episode had melting people in it -eew!). But, I must admit, this is my kind of gross.
I knew I loved this show the moment I met Walter Bishop, the happy mad scientist. He's so excited about dead bodies, and fruit cocktail, and illegal drug use. He eats Twizzlers while performing autopsies. He blows up papayas with micro waves. He talks to dead people, as long as they haven't been dead more than 6 hours. And I love him for it.
I wish I had created Walter. I've invented some wonderful people, but I wish I had created Walter. I suspect I love him so much because he loves food so much. It's the one thing we have in common.
I love Peter and Olivia, too, don't get me wrong. Even darling, dainty Astrid with her unkempt fro has found a place in my heart. She's so quiet and capable. Walter's lab would be hip-deep in exploded fruit if not for her.
Once again, J.J. Abrams has done something wonderful for geeks everywhere. For those of us who've missed The X Files (you know, when it was good, before it turned all alien conspiracy and Scully-loves-Mulder), Fringe is a new take on the old world of weird. And I love it.
Twizzler, anyone?
Friday, January 15, 2010
Occupational Hazard
Before I get started, I must recommend going over to "Speculative Musings" and reading Paul Baines' zombie love story based on Twilight. Keep going, Paul. You have a winner there.
In season four of Buffy the Vampire Slayer, Buffy and Zander are watching a martial arts' film on a double-date. Buffy scoffs her way through the show, finally ending with an exasperated, "What's powering that kick? Sheer enthusiasm?" You see, Buffy kicks demon tail and horns and claws eight days a week. She's going to be a harsh judge of martial arts' skills because her life depends on them.
In the movie Fireproof, Caleb buys his wife a cheap bouquet as proof that he loves her. When Catherine walks in and sees the mason jar with its ugly ribbon, one rose, one stem of stock, and some sad foliage, it's meant to be funny and pathetic and so we laugh. I work at a florist magazine. I'm around florists and floral designers 40 hours a week. I can tell you no florist worth her preservative would have allowed such a bouquet out of her shop, let alone her delivery van. Even Walmart's unmanned kiosk bouquets look better than that sad, little arrangement. It bothers me, and I know it bothers real florists who actually care.
Writing is like that. When you consider yourself a writer, you care about it more than other people (or you should). You notice things the average reader wouldn't. You train yourself to excel at your craft - the craft of communication. And, when you see sub-par writing, you cringe. You begin to throw books away instead of finishing them (for me, that started right after college).
I need to be careful, though. I suspect I could miss a great story because I'm looking for the out-of-place comma. I've said before writing is a skill that cannot be perfected. We aim for clarity, but because we work with words and meaning and the unknown perceptions of the reader, we cannot ever write the perfect story that reaches every person.
So, while yesterday's post was about holding ourselves to a higher standard, today's is about cutting ourselves a little slack.
Keep those standards high, but have fun, too. It's too much work to take so seriously.
Good job, Paul. Thanks for the laughs.
In season four of Buffy the Vampire Slayer, Buffy and Zander are watching a martial arts' film on a double-date. Buffy scoffs her way through the show, finally ending with an exasperated, "What's powering that kick? Sheer enthusiasm?" You see, Buffy kicks demon tail and horns and claws eight days a week. She's going to be a harsh judge of martial arts' skills because her life depends on them.
In the movie Fireproof, Caleb buys his wife a cheap bouquet as proof that he loves her. When Catherine walks in and sees the mason jar with its ugly ribbon, one rose, one stem of stock, and some sad foliage, it's meant to be funny and pathetic and so we laugh. I work at a florist magazine. I'm around florists and floral designers 40 hours a week. I can tell you no florist worth her preservative would have allowed such a bouquet out of her shop, let alone her delivery van. Even Walmart's unmanned kiosk bouquets look better than that sad, little arrangement. It bothers me, and I know it bothers real florists who actually care.
Writing is like that. When you consider yourself a writer, you care about it more than other people (or you should). You notice things the average reader wouldn't. You train yourself to excel at your craft - the craft of communication. And, when you see sub-par writing, you cringe. You begin to throw books away instead of finishing them (for me, that started right after college).
I need to be careful, though. I suspect I could miss a great story because I'm looking for the out-of-place comma. I've said before writing is a skill that cannot be perfected. We aim for clarity, but because we work with words and meaning and the unknown perceptions of the reader, we cannot ever write the perfect story that reaches every person.
So, while yesterday's post was about holding ourselves to a higher standard, today's is about cutting ourselves a little slack.
Keep those standards high, but have fun, too. It's too much work to take so seriously.
Good job, Paul. Thanks for the laughs.
Thursday, January 14, 2010
Trust
A book is a contract between the author and the reader.
The reader agrees to pay X amount of money for a story. The author agrees to provide X amount of entertainment/education/information.
The value of X determines how much the reader trusts the author.
This may be one reason publishing houses are so important. A publishing house has an established, trusted name. The reader can be reasonably assured that any author the publishing house approves can tell at least a passable story.
Trust is difficult to develop. I've noticed as I've given my story out for feedback, and as I've received others for the same thing, trust is lacking. When you ask for comments, the automatic assumption must be that there are comments to be made. That, as a newbie, you don't know what you're doing, and are therefore prone to mistakes of understanding or execution.
In short, a lack of trust.
I am not offended by this. I have recently been reminded to "trust but verify." The one has nothing to do with the other.
I think this is what happened during the contest. The "reader" judges trusted the authors to deliver on their promises. Most readers aren't writers. It would be natural to assume if someone can think up such a story idea, that someone should be able to write about it.
The "writer" judges know better. We know how hard it is to communicate well. We looked for all the little things we try to purge from our own writing because we know how such things can slow the reader down or interfere with understanding or turn a great idea into a mediocre book. How such things can ultimately betray trust.
Trust is difficult to develop, but painfully easy to lose. Betray your readers with a substandard book, and they may forgive you once, but they won't be duped for long.
Writers are encouraged to polish their skills, continually. Our goal is to be the best possible story-tellers we can be, no matter what standard the readers will accept. If we push ourselves, they will come to expect excellence from all authors. That can only be a good thing.
The reader agrees to pay X amount of money for a story. The author agrees to provide X amount of entertainment/education/information.
The value of X determines how much the reader trusts the author.
This may be one reason publishing houses are so important. A publishing house has an established, trusted name. The reader can be reasonably assured that any author the publishing house approves can tell at least a passable story.
Trust is difficult to develop. I've noticed as I've given my story out for feedback, and as I've received others for the same thing, trust is lacking. When you ask for comments, the automatic assumption must be that there are comments to be made. That, as a newbie, you don't know what you're doing, and are therefore prone to mistakes of understanding or execution.
In short, a lack of trust.
I am not offended by this. I have recently been reminded to "trust but verify." The one has nothing to do with the other.
I think this is what happened during the contest. The "reader" judges trusted the authors to deliver on their promises. Most readers aren't writers. It would be natural to assume if someone can think up such a story idea, that someone should be able to write about it.
The "writer" judges know better. We know how hard it is to communicate well. We looked for all the little things we try to purge from our own writing because we know how such things can slow the reader down or interfere with understanding or turn a great idea into a mediocre book. How such things can ultimately betray trust.
Trust is difficult to develop, but painfully easy to lose. Betray your readers with a substandard book, and they may forgive you once, but they won't be duped for long.
Writers are encouraged to polish their skills, continually. Our goal is to be the best possible story-tellers we can be, no matter what standard the readers will accept. If we push ourselves, they will come to expect excellence from all authors. That can only be a good thing.
Tuesday, January 12, 2010
Characters, Cameras and POV
Point of View came up a lot in the MLS contest. Some people like first person, some like third person, some like omniscient, some don't seem to know what they like. They just want to read and would you please stop talking about writing?
Point of View can be described as the camera through which the book is filmed. The camera angle determines what gets shown and how. The Blair Witch Project, anyone? Or Sixth Sense, for that matter. The entire movie is filmed from Bruce Willis' perspective. We only know what he knows, and eventually we are just as surprised as he is (I was, anyway).
In Star of Justice, the camera falls out of the sky to land on Caissa's shoulder as she signs her name to the letter she is writing. I say shoulder because the book is written in third person. If it were written in first person, the camera would be inside her body. Maybe more on that in another post.
From the moment Caissa is identified as the viewpoint character, anything you read should (I hope) be firmly within Caissa's viewpoint. You will experience and know nothing that she doesn't experience and know.
This understanding of viewpoint is important for one reason with two sides.
It focuses your writing on one person's understanding of events. The reader can agree or disagree with that one person, but she has a frame of reference for viewing the whole story.
And, it limits the information the reader will get.
This is important.
Choose your viewpoint character based on the information you want your audience to have. Some characters know too much. Take Sherlock Holmes. Can you imagine a story written from his perspective? He's got the whole thing figured out the moment the inspector walks through the door. How much fun would that book be to read?
Some characters tell a better story, even though they aren't right in the middle of the action. This would be Watson. He's a nice, normal guy who doesn't know the origins of talcum powder.
Consider which of your characters will tell the better story and use that character to do it.
This doesn't mean you have to limit yourself to only one viewpoint per book. You may use as many as you wish, as long as you understand that every viewpoint change will take a toll on the reader.
For an author, how to tell the story should be considered as carefully as what story you're going to tell.
And I've never seen The Blair Witch Project. My motion sickness couldn't handle the shaking vid-cam.
Point of View can be described as the camera through which the book is filmed. The camera angle determines what gets shown and how. The Blair Witch Project, anyone? Or Sixth Sense, for that matter. The entire movie is filmed from Bruce Willis' perspective. We only know what he knows, and eventually we are just as surprised as he is (I was, anyway).
In Star of Justice, the camera falls out of the sky to land on Caissa's shoulder as she signs her name to the letter she is writing. I say shoulder because the book is written in third person. If it were written in first person, the camera would be inside her body. Maybe more on that in another post.
From the moment Caissa is identified as the viewpoint character, anything you read should (I hope) be firmly within Caissa's viewpoint. You will experience and know nothing that she doesn't experience and know.
This understanding of viewpoint is important for one reason with two sides.
It focuses your writing on one person's understanding of events. The reader can agree or disagree with that one person, but she has a frame of reference for viewing the whole story.
And, it limits the information the reader will get.
This is important.
Choose your viewpoint character based on the information you want your audience to have. Some characters know too much. Take Sherlock Holmes. Can you imagine a story written from his perspective? He's got the whole thing figured out the moment the inspector walks through the door. How much fun would that book be to read?
Some characters tell a better story, even though they aren't right in the middle of the action. This would be Watson. He's a nice, normal guy who doesn't know the origins of talcum powder.
Consider which of your characters will tell the better story and use that character to do it.
This doesn't mean you have to limit yourself to only one viewpoint per book. You may use as many as you wish, as long as you understand that every viewpoint change will take a toll on the reader.
For an author, how to tell the story should be considered as carefully as what story you're going to tell.
And I've never seen The Blair Witch Project. My motion sickness couldn't handle the shaking vid-cam.
Monday, January 11, 2010
How to Handle Feedback
"Consider the comment, then consider the source."
Mom told me that. It's good advice. First consider what is said. Is it true? Is it helpful? It is something you can change? If those answers seem to be "no," consider who said it. Is that person a friend, an enemy, or an objective observer? If it's someone who might actually know what he's talking about, go back and reconsider the comment. If he's not trustworthy, don't sweat it.
I tend to reverse those phrases.
If I don't trust the source, why would I trust the comment? I wouldn't expect to get advice about brain surgery from a hot dog vendor. Although, in today's economy...
If I ask for the comments, that's one thing. I never ask questions I don't want answered. It's one of my personal rules. I must consider such comments, not the source.
But if the comments are just offered, then, you betcha I'm going to consider the source first. Who is this person? Are they qualified to make such remarks? Does the comment have merit in its own right? Those sorts of questions. Otherwise I would spend my entire life shaping myself to anybody's opinions. That's not a good use of my time.
As far as feedback and my writing are concerned, right now my book is given with the understanding that my readers will comment. That means I expect people to say whatever they want about my story, even if I don't want to hear it. That's tough for some nice people, but I mean what I say. I want to know about the problems while I can fix them.
Here's how I do it.
When I get that email (most comments are by email at this point), I read it for all the good stuff first. That makes me happy. It's good to start happy.
Then I read all the "bad" stuff - the questions, the confusion, the grammar corrections or sentence restructuring. I consider these one by one. Do they improve the writing? Do they highlight a weak spot? If someone took the time to comment, (usually) it means it was a problem for them. How many other readers will be bothered by that same issue?
This is hard, but the trick is to focus on the writing, not your sense of self-worth. As long as the comments are about the writing, you can do this. It's about skill improvement.
Now, the moment comments stray into "I can't believe you were dumb enough to write it this way," I would be done. I've never gotten comments like that, by the way, but I would never consider them if I did. That's a "source" issue and that source would be off my list (I've got hundreds of people dying to abuse me!).
If I don't have a specific reason for the writing being that way, 9 times out of 10, I'll change it. Why wouldn't I? Pride? I asked for this comment. How arrogant do I have to be to ignore it just because it doesn't make me happy?
Now, I won't change everything, not even for the guy giving me a paycheck. At some point, it's time to be done with changes and just write another book. But most comments don't want another book. They just want this one to be a little better. We all want that.
Then I go back and read the happy stuff again. In fact, those are the parts I'll read and reread
whenever I get discouraged. Those are the parts that keep me going through the hard parts.
So that's my process for analyzing feedback. A big thank-you to all my readers. I do consider all of you excellent sources.
Mom told me that. It's good advice. First consider what is said. Is it true? Is it helpful? It is something you can change? If those answers seem to be "no," consider who said it. Is that person a friend, an enemy, or an objective observer? If it's someone who might actually know what he's talking about, go back and reconsider the comment. If he's not trustworthy, don't sweat it.
I tend to reverse those phrases.
If I don't trust the source, why would I trust the comment? I wouldn't expect to get advice about brain surgery from a hot dog vendor. Although, in today's economy...
If I ask for the comments, that's one thing. I never ask questions I don't want answered. It's one of my personal rules. I must consider such comments, not the source.
But if the comments are just offered, then, you betcha I'm going to consider the source first. Who is this person? Are they qualified to make such remarks? Does the comment have merit in its own right? Those sorts of questions. Otherwise I would spend my entire life shaping myself to anybody's opinions. That's not a good use of my time.
As far as feedback and my writing are concerned, right now my book is given with the understanding that my readers will comment. That means I expect people to say whatever they want about my story, even if I don't want to hear it. That's tough for some nice people, but I mean what I say. I want to know about the problems while I can fix them.
Here's how I do it.
When I get that email (most comments are by email at this point), I read it for all the good stuff first. That makes me happy. It's good to start happy.
Then I read all the "bad" stuff - the questions, the confusion, the grammar corrections or sentence restructuring. I consider these one by one. Do they improve the writing? Do they highlight a weak spot? If someone took the time to comment, (usually) it means it was a problem for them. How many other readers will be bothered by that same issue?
This is hard, but the trick is to focus on the writing, not your sense of self-worth. As long as the comments are about the writing, you can do this. It's about skill improvement.
Now, the moment comments stray into "I can't believe you were dumb enough to write it this way," I would be done. I've never gotten comments like that, by the way, but I would never consider them if I did. That's a "source" issue and that source would be off my list (I've got hundreds of people dying to abuse me!).
If I don't have a specific reason for the writing being that way, 9 times out of 10, I'll change it. Why wouldn't I? Pride? I asked for this comment. How arrogant do I have to be to ignore it just because it doesn't make me happy?
Now, I won't change everything, not even for the guy giving me a paycheck. At some point, it's time to be done with changes and just write another book. But most comments don't want another book. They just want this one to be a little better. We all want that.
Then I go back and read the happy stuff again. In fact, those are the parts I'll read and reread
whenever I get discouraged. Those are the parts that keep me going through the hard parts.
So that's my process for analyzing feedback. A big thank-you to all my readers. I do consider all of you excellent sources.
Sunday, January 10, 2010
The God Must Be Crazy
It's no wonder people think Bible-believers are insane.
Pick up the book of Genesis and start reading. (This is what most normal people do with a book - begin at the beginning)
You will see a God who creates everything, calls it good and then destroys almost everything because now it's all bad (Noah and the ark). Then he picks a liar and a coward to be the "father of nations" (that would be Abram, later Abraham) and waits until the guy is 100 to fulfill His promise of a son and heir. This guy's relatives (Lot and his family) live in the worst city in the world (Sodom) yet have to be forced out of it to save their lives. Later, these same people (Lot and his surviving daughters) commit incest and God makes nations out of the resulting children.
What is going on in this book?
Well, there's a few things to understand about the Bible.
First, it's an accurate historical record. As we all know, people do some really stupid, horrible things (getting kicked out of Eden springs to mind). The Bible doesn't sugar-coat those things. It shows people in all their stupid horribleness. That's one of the reasons we can know it's true. It shows reality.
Second, the Bible shows God dealing with these stupid, horrible decisions. In every instance, He shows justice tempered with mercy.
The world becomes completely evil; God redeems one family to keep humans alive (instead of killing them all and starting over with bees). He even saves animals because He knows we need them.
Humans forget God, yet He chooses one guy for no particular reason at all to demonstrate His faithfulness to the rest of us. The story of Abraham is the story of God fulfilling His promise because He said He would.
The Bible must be read as a whole. Even though it is many different books, it was written by one Author - the Author who was and is and is to come. He is outside time and sees the whole picture. No part of the Bible is obsolete. No part should be ignored.
If you decide to start at the beginning, keep reading. And remember, God isn't insane.
We are.
Pick up the book of Genesis and start reading. (This is what most normal people do with a book - begin at the beginning)
You will see a God who creates everything, calls it good and then destroys almost everything because now it's all bad (Noah and the ark). Then he picks a liar and a coward to be the "father of nations" (that would be Abram, later Abraham) and waits until the guy is 100 to fulfill His promise of a son and heir. This guy's relatives (Lot and his family) live in the worst city in the world (Sodom) yet have to be forced out of it to save their lives. Later, these same people (Lot and his surviving daughters) commit incest and God makes nations out of the resulting children.
What is going on in this book?
Well, there's a few things to understand about the Bible.
First, it's an accurate historical record. As we all know, people do some really stupid, horrible things (getting kicked out of Eden springs to mind). The Bible doesn't sugar-coat those things. It shows people in all their stupid horribleness. That's one of the reasons we can know it's true. It shows reality.
Second, the Bible shows God dealing with these stupid, horrible decisions. In every instance, He shows justice tempered with mercy.
The world becomes completely evil; God redeems one family to keep humans alive (instead of killing them all and starting over with bees). He even saves animals because He knows we need them.
Humans forget God, yet He chooses one guy for no particular reason at all to demonstrate His faithfulness to the rest of us. The story of Abraham is the story of God fulfilling His promise because He said He would.
The Bible must be read as a whole. Even though it is many different books, it was written by one Author - the Author who was and is and is to come. He is outside time and sees the whole picture. No part of the Bible is obsolete. No part should be ignored.
If you decide to start at the beginning, keep reading. And remember, God isn't insane.
We are.
Saturday, January 9, 2010
Tweaking Leads to Doubt
Most of the time I am proud of my books. Most of the time I am objective and pleased with what I've created.
I have moments, though, when doubt sets in. Doubt is a very calm word. I can't think of a better one, unless it is fear.
Did I answer all the right questions? What did I miss that someone else will notice? Are the characters consistent in their thoughts and actions?
I feel like I'm standing naked on a podium every time I get an email from a reader. Praise God most emails are positive (and the ones that aren't have been helpful).
Still, I wait for that moment of "I missed what?" that will cause my entire house of cards to fall down and the whole 166,000 word book to become ridiculous in scope. That would be a lot of ridiculous words. A lot of wasted time.
Conceit drives this. The fear that I am not as wonderful a writer as I think I am. The idea that one day I'll be at a book signing, and some young pup dressed as Merritt or Raven will approach with a question about how dryads and naiads can talk to each other. Or something I can't answer.
I suspect every artist feels this way about his creation. We are often our own worst critics, after all.
The fact is my story is made up. I don't have answers for every possible question or concern a reader might have, nor can I. I did the best I could to create a plausible world with plausible people. I hope I succeeded. That's all I can tell myself when the doubt sets in.
But keep the questions coming. Maybe thinking of the answers will inspire another book.
I have moments, though, when doubt sets in. Doubt is a very calm word. I can't think of a better one, unless it is fear.
Did I answer all the right questions? What did I miss that someone else will notice? Are the characters consistent in their thoughts and actions?
I feel like I'm standing naked on a podium every time I get an email from a reader. Praise God most emails are positive (and the ones that aren't have been helpful).
Still, I wait for that moment of "I missed what?" that will cause my entire house of cards to fall down and the whole 166,000 word book to become ridiculous in scope. That would be a lot of ridiculous words. A lot of wasted time.
Conceit drives this. The fear that I am not as wonderful a writer as I think I am. The idea that one day I'll be at a book signing, and some young pup dressed as Merritt or Raven will approach with a question about how dryads and naiads can talk to each other. Or something I can't answer.
I suspect every artist feels this way about his creation. We are often our own worst critics, after all.
The fact is my story is made up. I don't have answers for every possible question or concern a reader might have, nor can I. I did the best I could to create a plausible world with plausible people. I hope I succeeded. That's all I can tell myself when the doubt sets in.
But keep the questions coming. Maybe thinking of the answers will inspire another book.
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